Skip to main content

Nigel Stanislaus: "When You're Confident in Yourself, You Don't Need to Poker-Face Anything"

Makeup artist Nigel Stanislaus' Instagram is a health mix of polished artistry and self-effacing humor. How many high-profile artists would post an image of themselves staring quizzically at a subject and joking that they made the eyebrows uneven. Or when someone posts that he's handsome, Stanislaus responds, "Are we looking at the same picture?"Stanislaus isn't above making jokes, including ones where he's his own punchline.

That aside, the Maybelline ambassador still takes his work very seriously, a healthy combination that makes him accessible and engaging with his audience on Instagram, during workshops, and at events. He has several New York and Mercedes Benz Fashion Week events under his belt as well as doing ad campaigns for Maybelline. 

Q: When did you know you wanted to be a makeup artist? How early did the passion start?

Stanislaus: “I didn't know. As far as I remembered, I wanted to be a fashion designer, but that was way too technical for me. But I could illustrate, and that translated later into painting on a human canvas.”

Q: How did you get established? Was it a big break or years of hustling?

Stanislaus: “I would like to think that I tried to be respectful and be nice to everyone. Well, that's my version of the truth. Yes I had to hustle - it's part of the job. But rejection is also hard to handle, even today.”

Q: What advice would you give to someone trying to become a makeup artist?

Stanislaus: “Develop a sense of style, understand fashion and always practice on your technical skills. Have good business practice. Be grateful even when you don't get the job. Keep on top of your brand via social media and learn. Decide on what kind of makeup industry you want to be a part of, whether it's tv, advertising, fashion, or film.

It's not about shocking or special effects - that's tacky. It's not about screaming. It's about balance and grace. Your goal is to make the audience look at the subject and emotionally connect through the makeup. You are there to make a normal face become magic. If you understand that, you understand makeup artistry."

Q: What is the most satisfying part of your job?

Stanislaus: “The traveling and meeting people. It changes every day, and it can be horrifying and thrilling at the same time.”

Q: How does the Asian makeup industry differ from the American?

Stanislaus: “Asian women want different things: They love a luminous fair complexion, straight brows and smaller lips with big doll-like eyes. American aesthetics, I find, quite favor the opposite.”

Q: Your Instagram feed shows you having fun and keeping a sense of humor. Many makeup artists keep a poker face. Is that just your personality or a way of lightening up the industry?

Stanislaus: “I love makeup, the craft. But I don't need to adopt the intimidating attitude. Once you are sure of yourself as a person you don't need to poker face anything in life. No not even Instagram. The truth is I have fun. I always do and I'm so grateful to be good at a job and actually love it. How many people can say that? 

Q: What have been some of your biggest challenges and how did you overcome them?

Stanislaus: “The judgment and the rejection can be cruel sometimes and also quite embarrassing. But I learned that was only what I projected on myself. Surround yourself with good friends and family who love you and you will survive this ‘trauma.’”

Q: How did you get signed on with Maybelline? What is the biggest strength of the brand?

Stanislaus: “Maybelline is today's global number 1 cosmetic brand; a maybelline mascara is sold every 0.8 seconds around the world. She celebrated her 100 birthday recently and is the home ground of many It girls, including Gigi Hadid and Jourdan Dunn. The biggest strength of the brand is its innovation with trend. I have been with Maybelline for a decade now and have been nicknamed Mister Maybelline. They were looking for someone to head the brand and it took a year before they decided to sign me.”

Stanislaus is represented by Coco Productions. Samples of his work are featured below (Images used with his permission)
Add caption


Comments

Popular posts from this blog

Tammi Marks McDonald: Twenty Years in the Industry Means Adapt or Become Irrelevant

  Tammi Marks-McDonald Q: You've been in the industry for 20 years. How have you seen it change the most? Do you think it's for better or worse? McDonald: “There have been so many changes. I think the internet has had one of the biggest influences in so many areas of our industry. 20 years ago there weren't makeup schools around to learn from. We had to study what we saw being produced and learn from each other and doing. While that is still the same today in many ways, the internet allows more education to reach more people worldwide. So influences are now broader than they ever were before. It also allows misinformation to spread as well and we see trends developing based off of stage makeup, makeup comedy videos, etc.and I think we need to be aware that what we hear isn't always correct. The internet also has allowed us as artists to share our work more easily with the birth of online magazines. Even the fashion industry is changing, e

Patrick Xiong: How to Be Private with Yourself and Revealing With Your Photography

Patrick Xiong's images are beautiful, but it's a boring term. He lives and works in New York City, a place rife with beauty/editorial photographers. Whether it was calculated or just a reflection of his professional style, he's gone the anti-perfection route: His images don't appear photoshopped or retouched to fit a makeup campaign's demands. In many ways, he's the antithesis of a beauty photographer. His images capture something else – an echoing pain in a model's eyes, the moment of joy that can't be manufactured on cue. Most of his images also capture reality: If the model looks a little worn, he keeps that in the image and somehow that imperfection holds us more deeply. He's a very private person: His profile on his professional website simply states he's an editorial photographer in New York City. He declines to give personal information about himself and a headshot. Xiong, however, graciously agreed to answer the following question, s

Iris Moreau: How the Makeup Industry has Changed, for Better or Worse

Iris Moreau got her start walking the runways of New York City and Paris as a high-fashion model. Eventually, she transitioned out and began looking for a new way to channel her creativity. Becoming a makeup artist seemed a natural extension of the industry she'd worked in. The contacts she'd made during her modeling career helped her break in as a makeup artist, but she still needed to prove her abilities. Moreau had some insights into the changes in the industry and where aspiring makeup artists should put their focus now. Her work has been featured in Marie Claire and Glamour, among other beauty and fashion magazines, and she's worked with celebrities including Eva Longoria, January Jones, and Paris Hilton. Q: Many aspiring MUA's believe once they get a high-profile client, a magazine editorial or a big-name agent, they will have "arrived." Is this a misconception? You talked about how it's a very cyclical career. What should those aspiring artist