Skip to main content

Troye Antonio: When One Door Closed, Many More Opened

Troye Antonio, who goes by Mannequinskin on Instagram

Troye Antonio grew up as a creative child, always drawing and painting. Despite the affinity, he decided after high school he didn't want to go to school for art.
When he was 21, his mother purchased makeup artist Danessa Myricks' videos. She encouraged him to watch them, which Antonio was initially reluctant to do. "I didn't want to be a stereotype, a gay boy who was into makeup," he said.
Still, he eventually began watching them and something clicked. "That was the moment. I felt in my whole body that this was what I was meant to do. I can't explain it," he said.  (He later enrolled in a makeup academy to hone his craft.)
He also began to watch videos of his favorite Youtube makeup artist, Spencer Lopez, and downloaded her work to his screensaver and on his phone.
Something about drawing on canvases didn't capture Antonio the way working on a person did. He felt a deeper satisfaction of being artistic on a a subject that responded to his work.
"Makeup kept my interest in a way that other art didn't," he said. "There are so many textures beyond what a pencil and paper can do. It's art in three-dimensional form."
A mostly self-taught makeup artist, Antonio eventually got jobs working in retail for brands including NARS and MAC. He realized he had natural ability with makeup, but he also had a skill with people and making them feel comfortable.
"Doing someone's makeup is like a therapy session," he said. "People confide in you and you connect with them."
Antonio had such a knack for connecting with the customers that many would return to the store and ask him do their makeup for personal events like their weddings.
He became so in demand with customers that eventually it led to a separation from one of the brands, which told him he wasn't participating enough as a team member. Initially an upsetting moment for him, he felt there was no other option but to go freelance. As with many things that at first appear to be a setback, that's when the magic began to happen.
He posted his work to Instagram and began to draw a large following, including catching the attention of some celebrities. Today he works frequently with singer and performer Kehlani, most recently doing her look for the Video Music Awards. His work on her made it to Vogue.com.
His celebrity roster also includes actress Gabrielle Union. Antonio was at an event for her husband, Dwayne Wade, when Union asked who did the makeup of a mutual acquaintance. When she learned it was Antonio, Union followed him on Instagram and eventually asked him to do her makeup.
Antonio remains humble and polite, making sure to thank people who compliment his work on his Instagram and Facebook accounts.
"I'm not one of those artists who works on a celebrity and thinks they're untouchable," he said. "I've never felt like nobody can talk to me now. I treat people like how I want to be treated."
Without a hint of false-modesty, Antonio says his success sometimes surprises him the most. He credits his mentor, Mali Thomas, for guiding him professionally. "She has been there for some of the most impactful moments of my journey," he said.
"I honestly thought I'd work in retail for the rest of my career," Antonio said. "But I get the same satisfaction out of doing a woman's makeup who came to the counter as I do working on a celebrity. They all look in the mirror and feel better about themselves


Antonio's work on celebrity clients is below (Images used with the artist's permission):






Comments

Popular posts from this blog

Tammi Marks McDonald: Twenty Years in the Industry Means Adapt or Become Irrelevant

  Tammi Marks-McDonald Q: You've been in the industry for 20 years. How have you seen it change the most? Do you think it's for better or worse? McDonald: “There have been so many changes. I think the internet has had one of the biggest influences in so many areas of our industry. 20 years ago there weren't makeup schools around to learn from. We had to study what we saw being produced and learn from each other and doing. While that is still the same today in many ways, the internet allows more education to reach more people worldwide. So influences are now broader than they ever were before. It also allows misinformation to spread as well and we see trends developing based off of stage makeup, makeup comedy videos, etc.and I think we need to be aware that what we hear isn't always correct. The internet also has allowed us as artists to share our work more easily with the birth of online magazines. Even the fashion industry is changing, e...

Patrick Xiong: How to Be Private with Yourself and Revealing With Your Photography

Patrick Xiong's images are beautiful, but it's a boring term. He lives and works in New York City, a place rife with beauty/editorial photographers. Whether it was calculated or just a reflection of his professional style, he's gone the anti-perfection route: His images don't appear photoshopped or retouched to fit a makeup campaign's demands. In many ways, he's the antithesis of a beauty photographer. His images capture something else – an echoing pain in a model's eyes, the moment of joy that can't be manufactured on cue. Most of his images also capture reality: If the model looks a little worn, he keeps that in the image and somehow that imperfection holds us more deeply. He's a very private person: His profile on his professional website simply states he's an editorial photographer in New York City. He declines to give personal information about himself and a headshot. Xiong, however, graciously agreed to answer the following question, s...

For Yvonne MacInnis, Makeup Isn't About "Just Being Pretty"

Yvonne MacInnis, left, at work. She is the Global Educating Artist for Marc Jacobs Beauty Scrolling through Yvonne MacInnis' Instagram feed is a visual smorgasbord: The makeup styles are so varied, with MacInnis often using her own face to showcase makeup like it were a painting, unafraid to shock, inspire, or potentially even disturb someone's sense of polite society. That's MacInnis' style - complex, varied, artistic, even at times political. She uses makeup as the platform for it all. Q: You work on various mediums of visual art and not just makeup. Do you consider yourself focused on one area or do you not put yourself into a particular category? MacInnis: "I think there is something to be said for being a 'Jane of all trades.'  I've always pushed myself to flex all my creative muscles - especially the ones that don't feel so comfortable - because that usually means you're learning something. While I feel it's important t...